Showing posts with label Pigs Pigs Pigs Pigs Pigs Pigs Pigs. Show all posts
Showing posts with label Pigs Pigs Pigs Pigs Pigs Pigs Pigs. Show all posts

Friday, 29 January 2016

Pigs Pigs Pigs Pigs Pigs Pigs Pigs / Bismuth / Apologies / Supertunes - Live at The Cluny, Newcastle

Supertunes had super-fans down early to the Cluny pit. A much more exciting prospect than their name would suggest, this opening quartet brought bass-lead progressions infused with elements of trip-hop. Their vocalist operated as an instrumentalist, offering further abstraction with distant atmospheric lines.
A tight classic-rock riff modestly starts up the Apologies engine. Various hooks follow morphing through free and wild variations. The trio’s music delights by off-setting changing textures and resonances against solid central themes. Tightening and loosening were used to great effect. 
The courtesy of Tanya Burne muting her bass to tune before the set was cute as, alongside Joe Rawling’s on drums, Bismuth proceeded to take EVERY MOLECULE IN THE AIR HOSTAGE WITH THEIR TECTONIC SHIFTS. Dividing appreciation like thunder, portions of the audience were hypnotised by the might, whilst others ran from the unknown.
The porcine pageantry was unleashed as PigsPigsPigsPigsPigsPigsPigs embarked on Psychopomp to crown the night. This composition has it all, and with each twist and turn, rest is definitely left for the dead. Matt Baty’s majesty was undeniable throughout, singing with full vigour, hanging from railings, topless.
Like the best nights, the total narrative was stronger than the sum of its chapters and we have Leave Me Here to thank for that.


[2016.01.29] for NARC Magazine.

Friday, 8 November 2013

The Cosmic Dead / Pigs x7 / Haikai No Ku - Live at The Head Of Steam, Newcastle

'Life is a journey, not a destination,' wrote Ralph Emerson, and the faces downstairs at The Head of Steam feel this; music is not about waiting for premeditated stunts and hits; it's about emersion and trusting oneself to interact completely with sound in the moment. 

HaiKai No Ku start up; the trios tracks routed in Beckettian reinvention. Pieces often made from three chords, with the wah-wah out swinging, higher and stronger with each variation. A couple in the front row throw their bodies in sync with each protruding beat. 

Next, Pigs x7 embark on their fairy tale, 'The Wizard and the Seven Swines.' Showcasing this track, released in collaboration with the headline act, Pigs x7 take us from steady skipping grooves to heavy riffs, whilst their drummer's facial expressions react vividly to all the changes, and their singer wanders through the band on stage like he is lost in a maze and is roaring in desperation. 

After some technical difficulties, The Cosmic Dead resurrect and raise the energy even further, manipulating wonderful sounds from a Korg synth, at first over steady quantised maneuvers and then diving in amongst all kinds of rhythmic geography. Finally, as guitars are hung up on the pubs avatar at the back of the stage, with the final chords resonating, all minds are left racing. 


[2013.11.08] for NARC Magazine.

Joe Levi - Becoming The Alien - Album Review

A few moons back, you would find Joe Levi strutting through the streets of Manchester, making vibrations in venues with The Jungfraus , bu...